Aeolistic


Tate Modern

I hadn’t been to the Tate Modern since Miroslaw Balka’s box of darkness, How It Is,¬†was installed in the Turbine Hall last year. I should really go more often because it’s one of my favourite galleries. The exhibitions are always well curated, with an excellent variety of pieces, both aesthetic and thematic. I didn’t even go into the Gaugin exhibition this time, but I still stumbled across many pieces that I love, including some old favourites and some I’d never seen before. Go, go, go.

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